Full List of Gaspar Repertory

Nb. Because this catalog encompasses the sources for all of Weerbeke’s works, the sigla used here are frequently different from the ones used in the individual Weerbeke CMM volumes.

Masses and mass movements

Missa Ave regina celorum
Mi2 fols. 160’-176; text in all voices; T: “Ave regina celorum…”; Gaspar
Pe10 [no. 1]; [Missa] “Ave regina celorum…”; text in all voices; Gaspar
Up [no. 1]; [Missa] “Ave regina coelorum”; with text; Gaspar (only S partbook)
Va3 fols. 14’–27; T: “Ave regina celorum…”; text in all voices; Gaspar
Missa brevis
Je1 fols. 87’-100; “Missa brevis iaspar”; text in all voices
Missa Et trop penser
Pe10 [no. 3]; [Missa] “E trop penser”; text in all voices but complete text in S only; Gaspar
Up [no. 3]; [Missa] “E trop penser”; incomplete: only S partbook; with text; Gaspar
Va6 fols. 156’-174; T: “Et trop penser…”; Gaspar (index)
Missa N’as tu pas
Pe13 [no. 4]; [Missa] “Nastu pas”; textual cues in all voices; Gaspar
Va8 fols. 253’-256; no title; incomplete: only Credo; text in all voices; anonymous
Missa octavi toni
Ar fol. 44’; incomplete: only Agnus III
Ca fols. 15-28; “Missa Papalis” (index); text in all voices; anonymous
Hey1 pp. 114-115; “Octavi.”; incomplete: only Agnus III; no text; Gaspar
Hey2 pp. 162-163; “Exemplum Octavi Toni”; incomplete: only Agnus III; no text; Gaspar
Je2 fols. 182’-198; no title; text in all voices but only S is complete in the Sanctus and Agnus; anonymous
Pe10 [no. 4]; [Missa] “Octavi toni”; text in all voices; Gaspar
Up [no. 4]; [Missa] “Octavi toni”; with text; Gaspar (only S partbook)
Missa O Venus bant
Be fols. 23–29; [Missa] “O venuspandt”; incomplete: Et iterum venturus, Osanna II, Agnus I and III missing; with tenor-resolutions; text: only incipits of the sections; anonymous
Fl1 fols. 145’–148; no title; incomplete: only sections for three voices from the Credo (Et incarnatus est) and the Sanctus of the mass (Pleni sunt, Benedictus); without text; anonymous
Hd fols. 131’–136’ (pp. 262–72) and fols. 211’–212 (pp. 422–3); [Missa] “Venus”; incomplete: Kyrie, Gloria, Osanna II, Agnus I and III are missing; Agnus II transmitted as contrafactum under the title “O lumen” separated from the rest of the mass; text mainly in S and A, sometimes also in T; anonymous
Lp fols. 165’–166; “Respice virgo pura” (= Et incarnatus est); anonymous
Mo no. XVII; T: [Missa] “O Venus bant”; text in all voices but complete text in S only; Guaspar uuarbec
Pe10 [no. 2]; [Missa] “O venus banth”; text in all voices; Gaspar
Up [no. 2]; [Missa] “O venus banth”; with text; Gaspar (only S partbook)
Va7 fols. 132’–145; T: “O venus bant o venus brant”; text in all voices; Gaspar
Va8 fols. 97’-119; no title; incomplete: without Et incarnatus est; text in all voices; anonymous
Ve1 fols. 63’–66; T, A: [Missa] “O Venus bant”; incomplete: only Kyrie and incipit of the Gloria (S A until m. 66; T and B missing); text in all voices; anonymous
Wa fols. 120–122’, 123’–127, 128’–130; “Officium Venus panth”; incomplete: Osanna II and Agnus missing; text in all voices but complete text in S only; anonymous
Missa Princesse d’amourettes
Je2 fols. 163’–182; no title; text in all voices; anonymous
Va5 fols. 158’–170; T: “Princesse damourettes”; text in all voices; Gaspar
Vi fols. 32’–48; S: “Princesse”, T: “Princesse damorette”, both in red; text in all voices; Jaspar
Missa Se mieulx ne vient
Lp fols. 204-212; “Officium papale”; Pleni sunt celi on fol. 209, after Et incarnatus est; Agnus III is missing; text not always in all voices and in all movements (principally in S and A); anonymous
Pe10 [no. 5]; [Missa] “Se mieulx ne vient”; text in all voices; Gaspar
Up [no. 5]; [Missa] “Semieulx vient.”; with text; Gaspar (only S partbook)
Va5 fols. 137-148; “Se mieulx ne vient”; text in all voices; Gaspar (attribution in lighter, more tenuous ink; strong ink corrosion)
Credo
Pe7 fols. 17-17’; no title; text in all voices; Gaspar
Va7 fols. 180’-183; no title; text in all voices; anonymous
Ve3 fols. 217’-220; no title; text in all voices; anonymous
Credo cardinale
Pe7 fols. 6-7; “Gaspar cardinale”; full text in S, textual cues in other voices

 

Motet Cycles

The Cycle Ave mundi domina
Mi1 is the only source which contains all eight motets and presents them in sequence.
 
I.1. Ave mundi domina
Mi1 fols. 126’-127; text in all voices; Gaspar (index)
 
I.2. Ave mater gloriosa
Mi1 fols. 127’-128; text in all voices; Gaspar (index)
 
I.3. Salve virgo virginum
Mi1 fols. 128’-129; text in all voices; Gaspar (index)
 
I.4. Anima mea liquefacta est
Ba fols. 130’-131; text in all voices; anonymous
Br1 fols. 47’-48; text in all voices; anonymous; second version (I.4a.)
Fl1 fols. 161’-162; no text; anonymous
Fl2 fols. 72’-73; only incipit in S; Gaspar
Mi1 fols. 129’-130; text in all voices; Gaspar (index)
Sg1 no. 102; “Hypodorius”, text in all voices; anonymous; T and B are missing; second version (I.4a.)
Wa fols. 10’-11; text in all voices; anonymous, in series with I.6. Quem terra, pontus, aethera; place of T and B is changed
Ws fols. 86’-87; only incipit in all voices: “Anima mea” (A, T, B), “Anima mea dominum” (S); anonymous, A and B are missing up to m. 47
 
I.5. Ave regina celorum, ave
Br2 fol. 4; text in all voices; “O salutaris hostia” (only 2nd part); anonymous, opening composition of the manuscript
Mi1 fols. 130’-131; text in all voices; Gaspar (index)
Mi2 fols. 51’-52; text in all voices, “Ave domina angelorum”; anonymous, in a series of other Gaspar motets
 
I.6. Quem terra, pontus, aethera
Mi1 fols. 131’-132; text in all voices; Gaspar (index)
Mi2 fols. 52’-53; text in all voices; anonymous, in a series of other Gaspar motets
Wa fols. 11’-12; text in all voices; anonymous, in series with I.4. Anima mea liquefacta est; place of T and B is changed
 
I.7. O virginum praeclara
Mi1 fols. 132’-133; text in all voices; Gaspar (index)
Si fols. 108’-110; text in all voices; anonymous
 
I.8. Fit porta Christi pervia
Mi1 fols. 133’-134; text in all voices; Gaspar (index)
The Cycle Quam pulchra es
Mi1 is the only source which contains all motets and presents them in sequence.
Mi2 contains motets 1, 5, and 6 of the cycle, grouped with the 5th and 6th motets of the cycle Ave mundi domina.
Mi4 contains motets 1, 7, and 4 of the cycle, presented in sequence.
 
II.1. Quam pulchra es
Mi1 fols. 134’-135; text in all voices; Gaspar (index)
Mi2 fols. 48’-49; text in all voices; Gaspar
Mi4 fols. 132’-133; text in all voices; anonymous; partially destroyed
 
II.2. Alma redemptoris mater
Mi1 fols. 135’-136; text in all voices; Gaspar (index)
 
II.3. Salve virgo salutata
Mi1 fols. 136’-137; text in all voices; Gaspar (index)
 
II.4. O pulcherrima mulierum
Mi1 fols. 137’-138; text in all voices; Gaspar (index)
Mi4 fols. 134’-135; text in all voices; anonymous; partially destroyed
 
II.5. Ave regina celorum, mater
Mi1 fols. 138’-139; text in all voices; Gaspar (index)
Mi2 fols. 49’-50; text in all voices; anonymous; in a series of motets by Gaspar
 
II.6. O Maria, clausus hortus
Mi1 fols. 139’-140; text in all voices; Gaspar (index)
Mi2 fols. 50’-51; text in all voices; anonymous; in a series of motets by Gaspar
 
II.7. Mater patris filia
Mi1 fols. 140’-141; text in all voices; Gaspar (index)
Mi4 fols. 133’-134; text in all voices; anonymous; partially destroyed
 
II.8. Tota pulchra es
Mi1 fols. 141’-143; text in all voices; Gaspar (index)
The Cycle In honorem sancti spiritus
Mi4 presents the first four motets of the cycle.
Pd transmits two of the motets, but not in sequence.
Pe8 contains all six motets, presented in sequence. It is titled “Gaspar in honorem sancti spiritus” in the Superius partbook.
 
III.1. Spiritus domini replevit
Mi4 fols. 120’-121; text in all voices; anonymous; partially destroyed
Pd fols. 80’-81; text in all voices; anonymous
Pe8 fols. 29/60/92’/124’-125; text in all voices; Gaspar (S)
 
III.2. Veni sancte spiritus
Mi4 fols. 121’-122; text in all voices; anonymous; partially destroyed
Pd fols. 82’-83; text in all voices; anonymous
Pe8 fols. 29’/60’/93/125; text in all voices
 
III.3. Beata gens cuius est dominus
Mi4 fols. 122’-123; text in all voices; anonymous; partially destroyed
Pe8 fols. 29’/60’/93/125; text in all voices
 
III.4. Confirma hoc deus
Mi4 fols. 123’-124; text in all voices; anonymous; partially destroyed
Pe8 fols. 30/61/93’/125’; text in all voices
 
III.5. Loquebantur variis linguis
Pe8 fols. 30/61-61’/93’-94/125’; text in all voices
 
III.6. Factus est repente
Pe8 fols. 30’/61’/94/126; text in all voices

 

Other motets

Adonay sanctissime Domine Deus
Fl3 fols. 70’-71; without text (incipit only in S and A); Gaspar
Pe2 fols. 15’-16; text in all voices; Gaspar
Sg1 no. 104; incomplete, only S and A, both with text; Gaspar
Sg2 fols. 83’-84; organ tablature; Gaspar
Anima Christi sanctifica me
Ci fols. [47’-48]; text in all voices; anonymous
Pe3 fols. 45’-46; text in all voices; Gaspar
Ave domina sancta Maria
Pe2 fols. 38’-40; text in all voices; Gaspar
Ave mater omnium
Hey2 pp. 144-147; no text; Gaspar
Pe8 no. 40; incipit in all voices; Gaspar
Ave regina celorum
Va4 fols. 201’-204, text in all voices; Gaspar (index, later hand)
Ave stella matutina
Fl3 fols. 99’-100; only text incipit in S, A (“Ave vita nostra”), T; Gaspar
Mi1 fols. 116’-117; text in all voices; Gaspar
Pe2 fols. 51'-52; text in all voices; Gaspar
Ave verum corpus
Pe3 fols. 42’-44; text in all voices; Gaspar
Christi mater ave
Fl3 fols. 67’-68; text in all voices; Gaspar
Mi1 fols. 114’-115; text in all voices; Gaspar
Pe2 fols. 50'-51; text in all voices; Gaspar
Dulcis amica Dei
Pe11 N. III, complete text only in S and T; CtI (see Designation of Voices) and B give only the first lines of the text at the beginning of the parts, respectively; Gaspar (index)
Va4 fols. 204’-208; text in all voices; Gaspar (later hand)
Ibo mihi ad montem Mirrhe
Fl3 fols. 100’-101; text in all voices; anonymous
Pe2 fols. 37’-38; text in all voices; Gaspar
Mater digna Dei
Cp fols. 107’-108 (n. 67); text in S, only incipit in A, T, B; anonymous
Fl3 fols. 39’-40; text only in S, incipit in A; anonymous
Mi1 fols. 115’-116; text in all voices; Gaspar
Pd fols. 156’-157; text in all voices; anonymous
Pe2 fols. 54’-55; text in all voices; Gaspar (in index)
Ve2 fols. 19’-20; text in all voices; anonymous
O beate Sebastiane
Ba fols. 16’-17; incomplete (only the first part); text in all voices; Gaspar
Pe8 [no. 28] text in all voices; Gaspar
O pulcherrima mulierum
Cp fol. 102; incomplete (only two voices: A and B); text in B (incipit in A); anonymous
Fl3 fols. 59’-60; text in S and T (incipit in A); Gaspar
Pe2 fols. 40’-41; text in all voices; Gaspar
Panis angelicus
Pe3 fols. 41’-42; text in all voices; Gaspar
Salve sancta parens
Pe7 [no. 5], text in all voices; Gaspar
Stabat mater
Va1 fols. 245’-249; text in all voices; Jaspar
Tenebre facte sunt
Cp fols. 86’-88; text in all voices; anonymous
Pe3 fols. 16’-17; text in all voices; Gaspar
Verbum caro factum est
Pe3 fols. 19’-21; text in all voices; Gaspar
Vidi speciosam sicut columbam
Pe2 fols. 42'-43; text in all voices; Gaspar
Virgo Maria, non est tibi similis
Fl3 fols. 66’-67; text in all voices (incomplete in A, B); Gaspar
Pe2 fols. 21’-22; text in all voices (incomplete in A, T, B); Gaspar
Si fols. 120’-121; text in all voices; anonymous
Sg2 fol. 89’; Organ tablature; Gaspar

 

Settings of liturgical texts

Lamentatio Jeremie prophete
Pe9 [no. 2]/fols. 70-81; text in all voices; Gaspar
Magnificat octavi toni
Va4 fols. 148’-153; text in all voices; Gaspar

 

Songs and instrumental works

Bon temps je ne te puis laissier / Bon temps ne viendra tu jamaiz / Adieu mes amours
Fl5 no. 49; incomplete: B partbook missing; text in all voices; “Gaspart”
La stanghetta
Eg no. 54/fols. 150-151; incomplete: S partbook only; incipit “La stangetta” only; anonymous
Fl3 fols. 34’-35; title “La stangetta”; no text; anonymous
Fo no. 44; incipit “La stangetta” in T; anonymous
Hei no. 29; incomplete: B partbook only; incipit “La stangetta”; anonymous
Ne no. 6/fols. C1’-C3; “La stangeta”; lute intabulation; anonymous/Neusidler
Pe1 fols. 54’-[55]; incomplete: only S and T survive in this edition; incipit “La stangetta”; “Uuerbech”
Pe4 fols. 54’-55; incipit “La stangetta”; anonymous; second edition of Pe1
Pe5 fols. 54’-55; incipit “La stangetta”; anonymous; third edition of Pe1
Pe15 no. 28/fols. 37’-38’; “La stanghetta”; lute intabulation; anonymous/Francesco Spinacino
Se fol. 172; incipit “Ortus de celo flos est” in all voices; “Ysaac”
Zw no. 18; incomplete: B missing (stolen), only a scan survives; no text; “Obrecht”
O Venus bant
Bo3 fols. 9’-11; score format, no text; labelled “Quarta”, fourth in a series of five “Opere di studio à tre. Josquini.”
Mu fol. 53’; incipit “O venus pant” in T, “O venus pannt” in Ct; anonymous
Pe1 fols. [84’-85]; these folios do not survive from the first edition
Pe4 fols. 84’-85; incipit “O venus bant” in all voices; Josquin; second edition of Pe1
Pe5 fols. 84’-85; incipit “O venus bant” in all voices; Josquin; third edition of Pe1
Pe14 no. 14/fols. 27-27’; “O venus banth”; lute intabulation; anonymous/Francesco Spinacino
Sg1 fol. 18’/no. 48; incomplete: S only; incipit “O venus band”; “Ludou Iosquin(us) Pratensis”, where “Ludou” is presumably the beginning of “Ludovicus Senfli”, as at no. 47 at the top of the same folio
Sv fols. 135’-136; incipit “O venus bant” in S only; Gaspar
Que fait le cocu au bois
Fl5 no. 50; incomplete: B partbook missing; text in all voices; “Gaspart”
Sans regretz veul entretenir / Allez regretz
Fl4 fols. 79’-80; most complete text in T, incipit “Sans regretz veul entretenir” in S and “Sans regretz” in B; “Jaspar”
Vray dieu que payne m’esse
Bo2 fols. 71’-72; incipit “[V]ray dieu” in S, “Vray dieu” in Ct, T, B; anonymous
Co/Pa1 no. 35; incomplete: B partbook missing; full text in S and Ct, incipit “Vray dieu” in T; anonymous
Fl2 fols. 38’-39; incipit “[V]ray diu” in S; anonymous
Fl5 no. 48; incomplete: B partbook missing; text in all voices; “Gaspart”
Pe6 fol. 130; incipit “E vray dieu que payne” in S, “E vray dieu” in Ct, T, B; Compère
Sg2 fol. 67; “Matheus pipalare Vray dien quel 2a pars recordami[ni]”; organ tablature
Va2 fols. 87’-88 (94’-95); incipit “Quam diu che pena messe” in S; anonymous

 

Doubtful or related works

Ave nostra salus (anonymous, related to Verbum caro factum est)
Pe12 [no. 59]; text in S, only incipits of each of the three parts in A T B; anonymous
Ave panis angelorum (anonymous, related to Panis angelicus)
Pe12 [no. 9], fol. 8v; complete text only in S; incipit in A T B; anonymous
Ce n’est pas sans (anonymous, related to La stanghetta)
Bo1 fols. 83’-84; incipits “Ce nest pas sans” in S, “Ce nest pas” in T and Ct; anonymous
Ct fol. 4; incipit “Ce nest pas sans toudis veillier”; incomplete: T and Ct only; anonymous
Du bon du cueur (anonymous, related to La stanghetta)
Di fols. 25’-26; full rondeau text in S, incipit “Du bon du cueur” in T, “Du” in Ct; anonymous
Fl1 fols. 49’-50; text of first verse in S, incipit “Du bon du cuer” in T, Ct; anonymous
Pa2 fols. 39’-40; full rondeau text in S, incipit “Du bon du cuer” in T, Ct; anonymous
J’ay pris amours/De tous biens plaine (doubtful work)
Au fol. 7’; “Auxilium praesta nam”; anonymous
Hd fols. 207’-208 (pp. 414-15); “Salus eterna atque indeficiens mundi” in S only; anonymous
Pe1 fols. 8’-9; incipits “Jay pris amours” in S and T, “De tous biens” in A and B; anonymous
Pe4 fols. 8’-9; incipits “Jay pris amours” in S and T, “De tous biens” in A and B; anonymous; second edition of Pe1
Pe5 fols. 8’-9; incipits “Jay pris amours” in S and T, “De tous biens” in A and B; anonymous; third edition of Pe1
Sg2 fols. 91’-92; incipit “Jay pris a mours”; Jaspart
Missa Une mousse de Biscaye (doubtful work)
  cf. NJE 5
Missa [sine nomine] (doubtful work)
Je1 fols. 101’-114; no title; text in all voices; anonymous
O inextimabilis dilectio (anonymous, related to Verbum caro factum est)
Pe12 [no. 56], fol. 51; complete text only in S, incipits in A T and B; anonymous
Plaine d’ennuy / Anima mea (Compère, related to Anima mea liquefacta est)
  cf. Finscher, MSD 12
Sancti spiritus adsit nobis (doubtful work)
Mi3 fols. 181’-182; text in all voices; anonymous
Mi4 fols. 124’-125; text in all voices; anonymous; appended to the first 4 motets of the cycle In honorem sancti spiritus; partially destroyed